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Posts Tagged ‘the dark knight rises’

 

The Dark Knight Rises came out last summer, but every once in a while, I stumble upon a cool collection of interesting things regarding the very popular movie.  Despite having a nearly 3 hour run time, it’s pretty obvious that movie had some plot holes.  Many people have tried to use them to tarnish the movie and others go to extreme lengths to refute them.  However, Jest has compiled a very cool way of compiling the plot holes by making them satirical newspaper headlines.  Check out the rest of them below and then refute any of them if you thought of a way to get around it!

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The shortage of original ideas in Hollywood is not a new issue. Hollywood blockbusters have long followed standard plotlines proven to generate excitement and revenue. Don’t get me wrong, indie movies and indie theaters will always reside in the warm, enriching, nacho supreme depths of my movie heart. But that does not mean that I am satisfied with the billions of dollars in resources Hollywood is wasting on leftover broccoli casserole lathered in recycled ideas and characters. I fell in love with movies because they have capacity to snap my semi-charmed life in half. Movies take you somewhere you can never go, make you someone you will never be. They touch emotions, remind you how you want to live your life, and give you a fresh perspective. My favorite movies are the ones that stick with you long after the bright sun tries to burn them out the second you walk out of the movie theater. Enough rambling, the following are some of the movies released this year that were either prequels, sequels, or remakes. (more…)

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Now this is a cool clip.  This is a fan-made [I wish I could credit, but it’s so hard these days, someone please remind me if they know] storyboard of how they would include the Joker in [SPOILERS] ……..the scene where Bane releases the inmates of Blackgate and possibly Arkham Asylum ………….[END SPOILERS].  The article had the following subtitles:

Bane: Who’s in there

Henchman: The Clown

Bane: …Leave him

There was a lot of debate in whether or not if the Clown Prince of Crime were included on what his role was, and I think this could of settled a good reason as to why he wasn’t present if he were to be included.  Your thoughts?

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I’ve lived to only have seen one great trilogy. The Lord of the Rings trilogy set the bar high and absolutely astounded me from start to finish. Meaning all three movies lived up to their titles and I wasn’t disappointed by any of it. This past weekend, I’m proud to admit to adding another trilogy to that list. Christopher Nolan’s The Dark Knight Rises is quite possibly the only way to end such a great trilogy. There haven’t been many great trilogies in our lives, not any as influential and culturally relevant as this trilogy. In addition to the recent Colorado incident, this will not be a movie I will soon forget.

The follow up to the Dark Knight might’ve cost Christopher Nolan the biggest undertaking ever placed on a director. That movie was simply a masterpiece, large in part to the late Heath Ledger. By merely meeting the audiences expectations, he would’ve accomplished something only so few people can. But of course, Christopher Nolan, who’s directing track record is nearly flawless, delivered and soared as to what can be said as the perfect way to end a trilogy. Minor spoilers below. Nothing back breaking. Or should I say Bat breaking. HA.

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The Dark Knight Rises will be popular for a while now, and we’ll continue to be promoting how awesome it is. Here’s a behind the scenes picture of Bane and Batman, aka Tom Hardy and Christian Bale having a talk after a scene. It’s awesome, especially because Tom Hardy had to express all his emotion through his eyes in the movie, and he’s doing it right now. I’m definitely sure that if you could Photoshop his eyes to make him look angry or even sad, this scene would be entirely different. A project that I’ll look back into later.

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Cracked has a series called After Hours where they take a group of highly opinionated individuals and break down a random subject by looking at its history and legacy.  In this episode, they debate whether or not Batman is actually good for Gotham.  They use points like his sanity, the villains he creates, and how he could actually truly benefit Gotham by not being Batman.  See the well seasoned debate above.

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Avengers have officially kicked off the big summer movie bonanza.  There’s a lot of great stuff coming out this summer, and a lot of questions to go with it.  Can The Dark Knight Rises truly surprise us?  What’s the surprise bomb of the summer [this one might be already answered: looking at you Battleship]?  Regardless, Hit Flix has compiled some interesting questions such as those and compiled opinions on them.  Click the link below.

15 Big Summer Movies Questions

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I would’ve had this article up yesterday had it not been for the Finals I had to take yesterday.  As many of you know, The Dark Knight Rises trailer has hit the internet, making a wave of spine tingling emotions be felt across the world.  The trailer itself is fairly unorthodox to most trailers I’ve seen for a number of reasons.  We’re essentially told a miniature story within the trailer.  That part is not so unorthodox because most trailers these days seem to give the entire plot to the movie in 3:00 minutes.  But this trailer told a different story.  I think it’s a way of us getting a grasp on the 8 year gap between The Dark Knight Rises and The Dark Knight, to see what has happened to Gotham and Batman.  From what I can tell, he’ been nearly exhausted as a man and feels as though he’s responsible for maintaining Gotham, even in a its darkest hour [Bane’s coming] that will likely destroy him.  I’m sure this theme will be reiterated throughout the movie, but I think having a grasp on this idea know will help us find deeper meaning in what I’m sure is to be a very complex story. Overall, here’s some notes I’ve been taking as I watched the trailer. (more…)

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Follow @GregBurney  for this rendition and awesome breakdown of the one of Christopher Nolan’s first movies Memento.  If you haven’t seen this movie, it’s probably one of film buff’s 101 movies to watch.  The style, the story, the performance.  Everything about this movie will make you fall in love with the industry like I have.  And it’s clear that others who have fallen in love with the industry can create graphics like this to absolutely blow people’s mind just as much as the movie did.

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I want to open up a debate today regarding who is today’s most significant director.  Obviously the answer is open ended and very opinion based, ranging from choosing your favorite director based on a favorite movie vs. his style.  But I want to narrow it down by choosing a director who’s currently still making the best movies.  I do appreciate out of the box answers like, Stanley Kubrick and his influence on the style and heavy music moments in Nicholas Winding Refn, and I questions just how movie savvy you are if you can make that connection.  I am not a film major, so the lines aren’t as clear as some of you who are, but that doesn’t mean I can’t have an opinion, so I challenge those who are intimidated by these notions to take a chance and stand by your choice.

In my honest opinion, I think today’s most consistently good director is without a doubt Christopher Nolan.  He’s distinguished himself over and over again with his blockbuster movies that are more than just blind action movies.  I understand that some directors after a big action movie with a production company breathing down their necks would want to take a break and do an artsy and less demanding film, but Christopher Nolan’s break from The Dark Knight was Inception and we both know how amazing that was.  His track record is near flawlesss with Memento and Insomnia as his relatively underappreciated beginnings [neither films got as much attention as they did until Nolan did The Dark Knight].  And he continued to build upon them with the genius of The Prestige.

I also respect him as a private man, who values the magical sense of his movies.  Seriously, no one knew what the hell Inception was about until they sat down at a movie theater and watched Leo break down dream hunting to them.   Now-a-days, he’s become a household name and his name attached to anything warrants the public to go see what he’s up to.  When he wraps up his Batman trilogy, the man will be unrestrained again to do what he likes, and I’ll sure as hell be lining up at the theaters to shell out for whatever he produces.  And I think that mentality is what makes me believe he’s the most significant director out there today, a man who, no matter what the material is about, we line up for because of his name attached to a film.

And now I truly want your opinion.  I know I haven’t really been making a community of Banana Feed recently, leaving comments unreplied or unthanked, and I’m honestly trying to fix that.  These discussion threads are meant to spark debate that I would gladly have with any of you.  Just be sure to observe common courtesy to myself and others on this site.

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